Daisy Anarchy and Zipporah Foster

I usually don't use this website for missed connection types of posts, but there are two OG litigious strippers who I haven't been able to track down. It would be wonderful to talk to either one of them.

Daisy Anarchy did a lot of stripper labor rights activism in the 90's. She received death threats and went into hiding for a while. Her internet presence exists, but there isn't anything current. I have no idea how to get into contact with her. If you are reading this and have any idea (with the exception of a certain NYC filmmaker who I don't want contacting me), I would love to be put into contact with Daisy.

Zipporah Foster was a Portland stripper who sued clubs around the time that I graduated college. I was so young then, and did not know what her lawsuits were about. Here is a link to one of the newspaper articles about her cases: click.

I hope that Zipporah is doing well. I know she didn't win at least one of her cases. We never worked at the same clubs together, but it would be wonderful to speak with her. I can't find her on the internet and don't think her facebook is current.

Communication with other people who have been through similar traumatic experiences can be very healing. Both Daisy and Zipporah seem to be uninvolved with the current stripper rights scene. Both Daisy and Zipporah are more than welcome to contact me.

VCG Class Action Update

The Denver strip club scene isn't all hobbyist pole competitions and pot heads. I've already mentioned the VCG class action that I joined last year. Class actions usually take much longer than individual lawsuits, so it's ongoing but optimistic.

I'll be engaged in 2018 Colorado lobbying efforts to change arbitration law, to ensure that future workers in the state aren't as exploited by corporations, be them strip clubs or other businesses.

A few months ago, my Colorado attorney Mari Newman did a great article with Law Week about the class. I'm so happy to be a part of it. Here's the link: click.

The Seville Series: Final Thought

A brave young man once said that life serves the risk taker. With that sentiment in mind, I told my attorney to skip mediation and go straight to arbitration. Less than a year before that, I had resolved matters with two other clubs-- Hustler and Deja Vu-- rather than go to arbitration. I thought since I won King of Diamonds, maybe arbitration with Seville would result in a win. I also didn't think Seville was offering as much settlement money as they should have been. It is for these reasons that arbitration happened. Life did not serve my risk taking in this instance.

If there was not an arbitration clause in the contract, I might have had the good sense to settle. I would have been informed ahead of time that Melanie, Serafina and Jessica were going to testify. Making an informed decision with regards to evidence is very important when deciding to settle, but arbitration does not allow for a discovery period.

Then again, jury pools full of sex worker hating prejudice and misogynists could have ruined a court trial too if it came to that. If it came to that, at least an appeal would be possible.

Frank Abramson is not a judge, and arbitration is not a constitutional way of resolving injustices. Sadly, Frank Abramson was the person with power to decide the outcome of my Seville matter. Sadly, we live in a world where unconstitutional policies and practices are abundant.

Abramson had pathways to rule in my favor. For example, he could have kept in mind that Melanie Christiance was the manager's wife with a biased and privileged experience. He could have considered the inconsistency of her testimony. He could have considered the fact that I was frequently at Seville and never met Serafina Richman. He could have thought about how so much of Jessica Gilbert's testimony was consistent with my arguments, despite her attempt to help Seville. He could have spent more time listening to my recordings. Maybe his love of Melanie Christiance's investments got in the way of all of that. I don't really know. Frank Abramson buys season tickets to the Vikings games, and I cannot fathom why someone would do that either. If I looked through the Minneapolis obituaries tomorrow and saw Frank Abramson's name, I would feel nothing but savory satisfaction that he no longer breathes.

Throughout writing The Seville Series, I have worried about the fact that I am giving ideas to other clubs on how to win a case. Some of the tactics I have described are now being used by other clubs to exploit and mislead dancers. However, getting the information to dancers is more important and will be advantageous to strippers who may want to litigate in the future. It is helpful to know what to look out for.

In the wreckage that The Seville Series has left, Jeremy Chase has deleted and revived his facebook account a couple times. He put his twitter account on private and changed the privacy settings of his facebook. As of writing this, he is using the pseudonym “Eagan Svensk.”

I can go on forever with posts and analysis for The Seville Series, but there is other ground to cover and other developments in stripper labor rights beyond Seville. If there are any future updates with regards to Seville or Jeremy Chase, they will be posted.

I have corrected typos on The Seville Series where I have found them and will be transferring any Joel-related issues to Joel Wheelock Watch. If you have any questions or concerns with The Seville Series, feel free to leave an email with your name and contact information, rather than troll me.

After Seville fired me, I went to Deja Vu, who fired me after three weeks when they realized who I am. In late 2016, I started working at a club in a more rural part of Minnesota, with dancers who I attempted to form alliances with. I tried to be more socially interactive than I had been at previous Minnesota clubs. In a couple of instances, I tried to get them to hang out with me outside of work. This was because I understood that it is important to socialize outside of work to have allies in a labor struggle. I often wonder what would have happened if I just would have hung out with Jessica Gilbert a time or two outside of work, rather than being evasive about her invites.

In national Minnesota news during The Seville Series, senator Al Franken was outed as a sexual predator and subsequently left his job. It was interesting to read all of the social media posts denying the truth. I wasn't surprised at all that liberals in Minnesota would vote for such a guy and support him even after his victims outed him. Rapist Bill Clinton is still very popular among liberals. I bring this up, because so many people from Seville are from the left end of the political spectrum and identify with the very leftist ideals that I promote on my website. For example, Melanie Christiance's daughter Mickayla Bakke is a freshly graduated, college educated social justice warrior who has put up a crappily written website in hopes of destigmatizing the sex industry. On her pitifully produced site, she interviews Megan Chase about stealing customers from dancers. The site generally says great things about Seville, without ever mentioning the labor struggles of dancers or calling out the sexual predators in her own social circles.

My advice to dancers who are interested in labor rights is to be suspicious of people like the Seville crowd, and don't trust the corporate media. If you notice patterns or that something isn't quite right, investigate deeper and trust your instincts. It is likely the liberal institutions that claim to be progressive are actually very similar to their conservative counterparts.

Losing a strip club lawsuit is depressing, because it means the oppressor has won. Future dancers will probably continue to suffer, while people on The Seville Series keep their jobs. There is a poem I like to think about while dancing in an unpleasant strip club environment. It is called Invictus and was written by the 1800's English poet William Ernest Henley. He was not thinking of a strip club while writing it, but it is fitting and keeps me going in times of sadness. It is helpful to remember the first two stanzas for litigious or striking strippers who want to be resilient and stay on the war path:

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

The Seville Series: JOEL WHEELOCK

Mickey in her drink, finger in her pink, finger in the blunt, two fingers in her stink”

Joel Wheelock is man of many song lyrics. He is Seville's Sunday and Monday night DJ. The above quote is from one of the rap songs that he wrote for his latest album, which he distributed around the Seville dressing room while I worked there. “Mickey” is a vernacular term for psychoactive drugs that have historically been given to women without their knowledge or consent. This verse describes a woman taking a Quaalude, while being vaginally and anally penetrated by a man smoking a blunt. That sounds like something Bill Cosby would do. In the age of #MeToo, this is the kind of behavior that Joel Wheelock raps about. This is the kind of lyricist that the Seville workers find socially acceptable.

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Joel Wheelock did not succeed at being a marketable rapper or wordsmith. It is possible he will get more publicity from being featured on this website than anywhere else. Around his 40th birthday, bloated and tired, Joel took the title “rapper” off of his twitter profile, and simplified it with the humble title of “Midwest DJ.”

Joel Wheelock can be identified by his blue eyes and long, dirty-blonde locks, which are usually in a pony. Sometimes he wears his hair down, and sometimes it's braided. He often has a short layer of facial stubble covering his jaw. Underneath all his blubber, Joel has statuesque bone structure rivaling that of the mythological Thor.

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Joel Wheelock grew up in East Bloomington, Minnesota. He is an alumni of Bemidji State University. He came from a musical family in the Twin Cities metropolitan area. His granddad was Prince Nelson's band instructor. As a boy, Joel thought he would be a musician too. To his family's dismay, asthma kept him from tooting the trumpet. To his disappointment, his defunct feet prevented him from being a drummer. DJs often emerge from histories of failure. Being a DJ is kind of like having a cool avatar on internet profiles, even though the person behind the avatar might look nothing like the illustration. Playing other people's music and receiving praise for it is what DJs do.

There were aspects about Joel that I really appreciated. Sometimes in strip clubs, DJs will not take my song requests. For example, DJ Steven Jaye limited my requests to “genre.” Other DJs will claim that they don't have access to most songs. Others are just so rude and irritated with my particulars that I don't even bother. In contrast to that, Joel took my song lists enthusiastically, which I hand wrote on notebook paper and delivered to him at the start of almost every shift we worked together. He stored them safely in his backpack.

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After Seville fired me, I gave my NLRB affidavit to Chip Chermak, before requesting a transfer because of Chip's unprofessional behavior, as discussed in previous entries. The Seville case was transferred to an attractive young woman named Martha. Deja Vu fired me three weeks after Seville did, as discussed in previous entries. Martha took my Deja Vu affidavit after they fired me, so I was in the NLRB office a few different times while the Seville investigation was happening. In several ways, the investigations overlapped. One day, I mentioned something about song requests to Martha. She replied;

“Brandi, your SONG LISTS!” Her eyes penetrated mine and we briefly giggled, as though we were both in on some grand joke together. During an NLRB investigation, the parties are not to be informed about what the other side has brought in as evidence. She had some basic follow-up questions with regards to song requests in strip clubs. I explained to her the nuances of DJs accepting requests in various clubs, and I answered all of her questions truthfully. Songs are just a normal part of any strip club atmosphere. My song lists never came up in any hearing or court proceeding from the defendant. That would be crazy. Most strip club DJs would say that songs are just a normal part of doing the job. In fact, they might even say something like,

"I'm just doing my job!" That was why it was so funny that Martha asked me about my song lists, as though they were an integral part of the investigation. What kind of loon would bring a stripper's song requests to the attention of the National Labor Relations Board?

Joel Wheelock is a paranoid guy who has occasionally made social media posts about carrying a gun wherever he goes, to let everyone know that he is armed and dangerous. Sprinkled throughout Joel's social media and rap songs, there is talk of his “haters.”

Joel Wheelock blocked my facebook and twitter around September of 2017, when The Seville Series debuted. I have never messaged him and wasn't aware that he knew about my social media accounts. I can only guess that he did it preemptively, knowing that a storm was brewing. Since then, he has sparsely posted anything about his life, aside from advertising his DJ business. It is as though he has been trembling all along while The Seville Series has risen in fame, knowing that his time would come.

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While I appreciated Joel taking my song requests, he did many other things to inflict pain upon my psyche. He is one sadistic brute. Any DJ torment that came before or after my time working with him is child's play compared to his torture. I have never known another strip club DJ like him in my life. He has a long history in Minneapolis, with a rich list of enemies. The breadth of his atrocious behavior exceeds what The Seville Series is about. Therefore, he gets his own tab. As you can see in the top left corner of this page, I have added the new tab called “Joel Wheelock Watch.”

I, as well as others, will contribute to Joel Wheelock Watch intermittently as time moves forward. It will not get updated as frequently as the main page, but will function as a Joel Wheelock database. At this point, it's just a side project. Over time, the Joel Wheelock Watch tab will provide information about Joel's psychological warfare tactics that he utilizes on strippers, as well as in-depth psychological analyses, first-hand accounts of his past before Seville, roundtable discussions, interviews and more content to be announced. The Seville Series is nearing an end. The home page of this site will soon resume discussing the broader landscape of stripper labor rights.

Happy Valentine's Day to all litigious, striking and rebellious strippers who are fighting the capitalist patriarchy, battling psychological warfare, enduring threats and scabs in the strip club. I love you, always forever.

<3 <3 <3

Panic by The Smiths

The Seville Series: Jessica Marlo Gilbert

On a sunny afternoon in early July 2017, I was helping a comrade of mine film a documentary about stripper labor rights. It was a week or so before my Seville arbitration, and we met up in Minnesota to get some footage. My comrade, a former dancer who sued several clubs in California, had just finished telling me about an experience she had with some former dancer friends of hers some years ago. They surprised her, by showing up to one of her hearings and testifying in favor of the club. She said she started screaming and panicking at the hearing, because of the cutting sense of betrayal that she felt.

My comrade and I were filming the star wall at 1st Avenue in downtown Minneapolis. While filming, we spotted a Seville dancer named Jessica Marlo Gilbert and her boyfriend, Chris Freitag. They were on the same sidewalk as us, walking in our direction. Gilbert had her hoola-hoop with her, as she usually did when she went into work. When Freitag recognized me, he immediately crossed over to the other side of the street, on his way to Seville. Gilbert didn't cross, but walked up to us, to ask what we were doing. I said hello and asked if she was interested in being in the film about stripper labor rights. She said, “text me!” and passive-aggressively sped away.

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I had texted Gilbert a couple of times already that past Spring, to ask if she wanted to testify at my arbitration against Seville. She never texted me back with an answer, so I figured she didn't want to. Gilbert and I had discussed stripper rights at work a couple of times before I was fired. While she agreed with me about the issues, she expressed concern about losing her job and having to go to a different club.

Prince's Paisley Park and Jessica Gilbert are from the small, upper middle class town of Chanhassen, Minnesota.

Shortly after reaching legal adulthood, Gilbert became a stripper in the Twin Cities area. She danced at clubs such as Augie's and Choice Gentlemen's Club. Because both of those establishments are known as “the ghetto clubs” in Minneapolis, Gilbert is embarrassed about them and keeps that part of her work past a secret from most people.

After Augie's and Choice, Gilbert found her way to Minneapolis's most desired club to dance at-- Seville. Gilbert relies on hoola-hooping to impress the crowd while she is on stage. When she is not on stage, she relies on the floor hosts to find her customers, who she privately dances for. She doesn't hustle very well on her own. Sometimes when I would see her sitting around Seville during her down time, she would be rocking back and forth in motion with the dub-step music that shook the walls, staring into space with glazed eyes.

Gilbert loves drugs and became badly addicted to methamphetamines before I met her. She stayed up for days on end doing meth, unable to sleep, hoola-hooping for hours at a time. This landed her in the mental institution, where she got off meth. She still loved doing drugs when I met her-- just not meth. After leaving the institution, Gilbert got a phoenix tattoo on her arm, to represent rebirth after burning to ash. She dances with the stage name Molly. Gilbert informed me that she tried every other drug except for heroin, but expressed a curiosity about heroin.

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In April of 2016, shortly after Seville hired me, I was the victim in a car accident, which gave me a concussion. Among the symptoms my concussion caused were seizures, psychedelic visions and out of body hallucinations. It was the worst, most frightening experience of my life, but also spiritually enlightening.

The first time I spoke to Gilbert was at the dinner table in the dressing room. I explained the concussion situation, but said that her hoola hooping was great and reminded me of an atom, with her as the nucleus and the green hoola-hoop lights as the electron cloud. From there, Gilbert and I discussed subjects like seizures, quantum physics, sacred geometry, the universe, centripetal force, psychedelic experiences and hooping. She expressed enthusiasm that I requested music by Tool, and informed me that she only recently heard of the band. She told me that she was afraid since she has all of these unusual thoughts about the state of the universe, governmental powers in charge were going to come after her for knowing too much. She told me that she had a hard time finding people who think about things like atoms or the universe, and asked me if I was afraid people in charge of the world were going to come after me for knowing too much. She referred to people who are aware of the world in this way as “woke.” “Woke” is a term that hip young people use, to refer to those who they believe are socially aware or otherwise in tune, with their fingers on the pulse, so to speak. Gilbert stated that she thought she was “woke,” and was happy to encounter someone else who she thought was “woke.” In my head, I was thinking about how much of a paranoid narcissist she sounded like, but I just nodded. I don't think metaphysics is much of an unusual topic to know about, so I informed Gilbert that government oppression for it was probably nothing to be concerned with. She didn't agree with me, but we cliqued enough to be workplace associates.

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Gilbert and I had other things in common, such as a mutual disdain for plastic surgery. We also liked eating edamame. She was cool to have as a coworker. She went barefoot on stage when she hooped, which was permitted by management because of her special stage performance. Every other dancer I met was pressured to wear plastic heels. Gilbert was often fixated on what she described as “the underground.” One day, she informed me that she thought the slow shift DJs like Chris Black “were more like the underground,” while the busy night DJ like Steven Jaye was not “the underground.” Gilbert's hoola-hooping was neat looking, but she did not make nearly as much money as the regular hustlers. One day, she told me that she thought dancing without her hoola-hoop would be “selling out.” I had to restrain my laughter when she told me that dancing without her hoola-hoop was “selling out,” as the whole reason most strippers work is to make as much money as possible.

Gilbert is a fan of shill Eric Sprankle, and has been known to post his quotes on her social media. For those who don't know-- Eric Sprankle is a shill in the sex worker community, who works as a therapist. He often attempts to take up space in the media and on the internet, to draw attention to himself for having opinions that agree with ours. He is not a sex worker himself. Many sex workers loathe him, for taking our narrative away from us, even if he agrees with a lot of what we are saying. I am part of a sex worker group right now that is trying to hold him accountable for it, by repeatedly contacting him and asking him why he likes to steal our narrative, but he mostly ignores it when confronted on the issue. This is one of many red flags that Gilbert is a tool.

Often times after I've had a few nice conversations with fellow strippers, they will want to exchange phone numbers, to socialize outside of work. While I thought Gilbert was pleasant to work with in comparison to the other options available, I did not want to hang out with a twenty year old with all of the issues and ideas described above. I just didn't think hanging out with her would be very much fun or interesting. She struck me as a poseur. So, in subsequent shifts when she would ask me to hang out or try to schedule something social, I made stuff up about why I couldn't get together. After a few of these instances, she stopped asking me to hang out. I was relieved. Unfortunately, some of her workplace pleasantries withdrew and I became more socially isolated. This is a common predicament that transcends many industries, workplaces and labor rights issues. How does one maintain workplace solidarity and allies, without having to waste precious free time seeing coworkers outside of work?

Gilbert's boyfriend, Chris Freitag, was a cook at Seville while I worked there. Aside from saying hello, Freitag and I never spoke. At some point, around the time when false rumors started that I was an undercover cop, Freitag stopped saying hi and began glaring at me. Like Gilbert, Freitag also struck me as a poseur. His facebook had posts about Guy Fawkes, anarchy and the anonymous movement, yet he was also a dweeb who hung out with strip club staff and made posts about not all cops being bad. It became clear to me that both Gilbert and Freitag were colossal dorks who spent a lot of time trying to be cool or “underground.” Gilbert and Freitag wouldn't know what the underground is if it stared them in the eyes and said Hello.

One night after work, while Gilbert and I were outside of Seville waiting for our cars, I heard her say to floor host Billy that something reminded her of “society.” I thought she was referring to her hoola-hoop, so I asked her about it at the start of our next shift. She clarified to me that she was saying Seville reminded her of society, because sometimes we have great nights, but sometimes it is slow and we have to pay our fees anyway. She explained to me that she thought the club treated us poorly, but that it was still the best club in Minneapolis, so she wanted to keep her thoughts a secret from powerful people in charge at Seville. She began talking to me about worker rights. I had never spoken to her about my lawsuits or website before, so it was great to me that she already knew about the issues. I felt kind of bad about the fact that I had my audio recorder on while she was confiding in me, but very happy to learn that Gilbert was aware of the stripper rights issue. Specifically, she stated that we were actually employees at Seville, and that the only thing Seville did to make us independent contractors was allow us to come in on whatever days we wanted. She didn't explicitly say “the economic realities test,” but she went through some of the factors in a way that demonstrated she was versed on the issue. She told me to never tell ANYONE about what she just said, then changed the subject.

I went back to the subject of stripper rights with her a couple of times after that initial conversation. I offered to join forces with her. She told me there were already people at Seville working on some stuff. When I used the term “labor,” she didn't know what I was talking about. Not having the right vocabulary for the issue was ok with me though. However, any time that I brought up the treatment at Seville, she would reiterate that she didn't want to lose her job and have to go to a different club. She'd always change the subject after that. I respected her wishes while I worked there and stopped bringing it up after the first couple of times.

Mara and Ben, the two bartenders who were harassing me, were friends with Gilbert and Freitag. After I told on them for harassing me, Gilbert stopped acknowledging me entirely, and would just glare at me. I was fired not long after that, as reiterated in previous posts. We still texted a couple of times after I was fired.

I was surprised to see her in the arbitration office last July, with Chris Freitag by her side in the waiting area. I didn't feel betrayed, as I never considered Gilbert a friend. I had been prepared by a previous generation of suing strippers. I showed no emotion in front of them. While I knew Gilbert was a pseudo-rebellious, disingenuous, drug addled moron from Chanhassen, I didn't think she was so bad as to switch sides and testify for Seville. She had established to me in previous conversations that she understood we were employees being duped by the club. My guess is that one of her floor host confidants convinced her to do it, that she did a lot of drugs that Summer, that she is so terrified of going back to Augies or Choice that she will do anything to stay at Seville, and that she is so starved for attention that she will hoola-hoop for anyone who compliments and praises her.

In Gilbert's testimony, she admitted to feeling obligated to tip staff. She admitted that the club exists because of the dancers. Both of those factors were in my favor. She lied about her work history, because she didn't want to bring up Augie's or Choice. She only named higher end clubs she worked at in the past.

Seville's attorney, Casey Wallace, attempted to make me feel sad, by taunting me that I had trusted and texted Gilbert about testifying on my side. Jessica isn't that special, so Wallace's taunts didn't hurt that much.

Gilbert brought her hoola-hoop with her for the hearing, to demonstrate skill required for her job. However, she admitted that her skill improved while she was working at Seville, which is something consistent with being an employee. Her hoola-hoop is a tool that she uses for work, so while no other dancers hoola-hoop and 99% of us did not use a prop of any kind, the instance of Gilbert's tool was an economic realities factor that swayed away from employee status.

I don't think that Gilbert's testimony would have been very effective if she was the only dancer there, but combined with Melanie Christiance's lying and random privileged Serafina Richman coming in, Seville won. Even if the sexual harassment was severe enough to win a lawsuit, it wouldn't have mattered, because only employees are protected against sexual harassment laws-- not independent contractors or lessees.

I don't think Gilbert really believes she is an independent contractor. I believe she is starved for praise from adult men who work in strip clubs, and that she loved the praise of Casey Wallace when he cheered her on for hoola-hooping in the arbitration office. She grinned like an emotionally starved latch-key child for him after he told her that he saw her on stage in nights previous to the hearing when he visited the strip club. It wouldn't surprise me if she was coaxed into testifying by being told that she could hoola-hoop for the audience.

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There are all kinds of reasons why scabs exist. In the strip club industry, it is often because of deeply rooted psychological issues, drug addiction, or a sad desire to please one's oppressor. I've never been that pathetic, so I cannot speak from personal experience on why Gilbert did what she did. I can only post her name and photo, while my own photo is on the front cover of the Star Tribune, to let everyone know what happened. I can only offer the audio recordings that I have of her, describing how she knows that she is an employee at Seville. She was only around twenty when I knew her, and Jessica Gilbert has secured her position at Seville for many years to come. If she doesn't overdose, I am sure she will continue to exchange texts with litigious strippers who don't know her past, and perhaps surprise them at future Seville arbitrations.

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The Seville Series: Serafina Richman

Prior to arbitration, I never knew Serafina Richman existed. She was the second dancer to testify. Serafina truthfully stated, during her testimony, that she never saw me before.

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Among the things that Serafina Richman testified about is that her husband is a bouncer at the Minneapolis Spearmint Rhino, that she has danced at Seville for a number of years, that she is too old to go on stage, that she doesn't have management tell her any rules to follow aside from “don't break the law,” that she barely paid a house fee and that she doesn't talk to other dancers besides her girlfriend, who she brings with her to work.

Serafina would stand out to see dancing in Seville, due to her old age, orange skin, boulder-like fake tits and abundance of tattoos. Not only does Seville generally hire very young women, but women without a lot of tattoos or aesthetics that stray very far from an untainted, old Parisian beauty ideal, as one might find in the many paintings that are hanging around Seville like a renaissance art museum. The interior decorations of Seville look more like the Louvre or Moulin Rouge than a stereotypical strip club, so Serafina's janky look wouldn't blend in.

As with Melanie, Seville lawyer Casey Wallace brought up Serafina's gaudy breast augmentation surgeries, as a way to try to prove that Serafina is an independant contractor who invested in her business.

I have no idea what connections Serafina Richman has to Seville that give her special privileges, or who her bouncer husband knows in the industry. Usually when dancers have special privileges like Serafina's, it has a lot to do with either long-lasting friendships, drug deals, the exchange of bodily fluids or the sharing of DNA. Usually when men like Serafina's husband work in the industry, there is a similar connection. The cores of strip clubs are often like the mafia.

There wasn't much else to Serafina's testimony. It was boring, quick, to the point and didn't offer a lot of information, aside from reaffirming what was already stated by people I barely knew or never met. It was obvious to me that Seville scraped up whatever aging stripper from their inner circle they could find, to crawl from the cracks of the past and defend their home, their heart, their hearth-- their club.

What I liked about Serafina's testimony is that she didn't speak on behalf of the the vast majority of other dancers at Seville, who do not have connections and privileges. I was glad that Serafina didn't lie about that like Melanie did.

The Seville Series: Melanie Christiance

When the Seville lawyers announced that they were bringing in three dancers to testify as witnesses, I nervously thought of people like Michelle Glisson or Kumara Becker. I was expecting dancers who I had negative interactions with, to come in and roast me. That didn't happen at all!

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Roger “Hunter” Christiance has been a Seville manager for many years, though I hardly ever saw him. He was usually upstairs in the champagne lounge, if he was even at work. He and his wife own a home in Clearwater, Florida, which they frequently visit. The few times that Hunter was the person to sign my permission slip to leave, he would just say something like,

“Thank you, young lady!” and smile dorkily.

I never had a problem with him whatsoever. He came off as a polite, dumb, obedient bouncer/manager with a fake orange tan, who was a bit detached from the commotion and social dynamics around him. He was the least annoying manager. The one time that I had to ask him for help with a customer who was harassing me, he grabbed the customer and said to him in a demonic voice,

“Bother her again and I'll throw you against the WALL!"

This Seville Series post isn't about Hunter, however. It's about his wife, Melanie Christiance, otherwise known as Melanie Engquist Tanke Bakke. I never met her until arbitration. She was the first dancer to testify.

As a woman in today's job market, pleasing the right man can take a gal pretty far in life. It can get one into a Miramax film, on the front running presidential ticket of a major political party, or a member of Seville's inner-most social circle, providing total Seville job security and minimal risk of termination, regardless of the rules followed.

Melanie was fortunate when she met Roger “Hunter” Christiance over a decade ago, who was to become her husband. Hunter became a floor host at Seville, where Melanie danced. Roger and Melanie became such obedient cucks for Seville swindler-owner Dino Perlman, that they stayed even after RCI bought the business. Unlike the majority of other dancers who work at Seville, Melanie gets to have special privileges while she works.

Melanie told the arbitrator that dancers can wear whatever shoes they want, without negative reactions from staff or management. She stated that she wears cowgirl boots to the stage and that everybody loves them. Not only did I never see her working, but I never saw any dancer wearing cowgirl boots. Even if Melanie was telling the truth about that experience, her treatment at Seville as a long-time dancer who is married to a high-ranking manager is still drastically different than the other dancer's.

Melanie testified about her own treatment at Seville, but also spoke on behalf of all the other dancers, or as she called them, “girls.” Liberally using the term “girls” to refer to dozens of grown adult women, Melanie testified that all of the "girls" wear whatever shoes they want, and are told that going on stage is completely optional. Melanie testified that tipping staff is optional, and that there are no negative reactions from staff when they are not tipped, toward any "girl."

While I believe Melanie's testimony that she was never bullied for not tipping staff or following the rules, it is highly likely that she was not bullied because of her marriage to Roger Christiance. It is highly likely that the other staff members knew better than to bully Melanie, and chose to emotionally batter easier targets. I was at Seville frequently, never saw her on stage or the show floor, and was surprised during her testimony when she claimed to know so much about the lives and experiences of so many young women who have probably never met her before.

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Seville's lawyer asked Melanie if she recognized me. She stared me in the eyes and stated that she had encountered me at work in the past. She stated that she saw me standing around back stage with the other dancers, complaining that there was no money to be made, and that she told me I would make more money if I wasn't standing around back stage complaining. Melanie told the arbitrator that I could have made more money if I didn't spend time behind stage talking with the other dancers. That was one of the most upsetting parts of her testimony, because what I do when hustling is to make damn sure I talk to every potential customer, with the exception of sexual predators and regulars displaying entitlement to my free time. I have a personal policy to acknowledge every new customer, regardless of what they look like, offer a dance and move on if they don't want to be bothered. I rarely spent time back stage hanging out with other dancers, and used my down time to drink coffee by myself on the show floor, to discuss stripper labor rights or to audio record instances of misclassification. There were very few exceptions to those activities in my work life at Seville. I would have remembered encountering Melanie Christiance, mostly because I never saw any older women with yellow hair, orange skin and comically large silicone breasts dancing. It would have been a notable oddity to see her there, and not something I would forget.

In a bizarre turn of events during Melanie's testimony, Seville's lawyer, Casey Wallace, asked her if she had her breasts “augmented.” While asking, he motioned to his own chest and gestured with his hands in a circular motion. Casey Wallace is from Texas, and speaks with a thick Southern accent.

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Melanie acknowledged the presence of her two jumbo, rock hard, synthetic breasts that were surgically implanted in the front of her torso, underneath her skin. Casey Wallace used Melanie's unsightly synthetic implants as an example of how she has invested in her business, as an independent contractor. He then referred to me, because I do not have synthetic breast implants. Fake breasts are unattractive and gross, so it has never crossed my mind in the 11+ years of dancing that I should pay someone to cut open my body and shove some inside me. My natural appearance fits many mainstream beauty standards and I usually sell more dances than my coworkers.

I have spoken with other women who have sued strip clubs, so I knew that attacks on the physical appearances of plaintiffs is something that comes up during legal matters, regardless of reality. For example, a dancer in Oregon who sued a club during her early 30's was accused of being too old and unattractive to make money by hustling any more. A woman of color who sued some clubs in California was described as unattractive by various white people in the industry, who were against her. Both of these women fit beauty standards, but in an aesthetics-based industry that has workers suing it, plaintiffs should expect to be bullied by their opponents about their physical appearances.

Melanie spent significant chunks of her testimony discussing her positive opinion that she had of her physical appearance. She referred to her investments as “ALL THIS,” while motioning from the top of her head downward, displaying everything with her hand. Melanie's synthetic yellow hair was something that she bragged about during my arbitration. It reminded me of a chav who might be on the Maury Povich or Jerry Springer show, describing their perceived sexiness, in order to offend their opponent. Nobody in the arbitration room called out Melanie's ugliness, or notified her that all that crap she does to herself doesn't look good. Melanie bragged about how she acquired “the looks” after dancing at Seville for a while, but didn't have them in the beginning. Here is a photo I found of her from the early 2000's:

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As a way to describe to the arbitrator how great the Seville staff is to her, Melanie Christiance stated that her relationship with them is “like family,” and that they go out to socialize together during their free time. She didn't mention that through marriage, she literally is family with Seville staff. She sneakily smirked when she stated that her relationship “like family.” Perhaps since she and I had never met before, she thought it would slip past me that she is the manager's wife. Most people don't know how much of an internet researcher I am. I knew all about Roger Christiance very early on at Seville. Melanie didn't mention the marriage until it was my lawyer's turn to question her and he asked her about it, at the prompting of a note I wrote. After admitting to the marriage, Melanie's pleasant mood changed, and her tone became snotty toward my lawyer for the rest of his questions. There were other inconsistencies that she was called out on.

Melanie told our arbitration audience that she only works a couple of days per month, and named a certain amount of money that she makes by working a few days. When she was describing how she invests in her business, she stated a dollar amount that she claimed to put into hair care each month. The dollar amount that she claimed to invest in her hair each month was higher than the amount of money that she claimed to make per month. If those numbers were true, it would be a net loss for Melanie. When called out on it, she made a vague suggestion that she has sugar daddies who pay for her hair, outside of the club. Here is a photo of the top of Melanie's head, which displays a very large bald spot:

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During Melanie's testimony, she stated that she acquired interpersonal communication skills while on the job, which she didn't have in the beginning. By admitting to acquiring skills while on the job, Melanie was describing something that an employee would do. This is a factor in the economic realities test.

The sole trait about Melanie Christiance that I found attractive was her angelic voice, which the arbitrator, Frank Abramson, was very intensely listening to as she described how great it is to work at Seville. The arbitrator seemed to be enchanted by it, as were others in the arbitration room that day. I know from personal experience that this type of voice is very valuable to use while hustling, and hustle is what Melanie Christiance did in my arbitration. She hustled for Seville; she hustled little Frank Abramson. Who knows-- maybe Frank Abramson was aroused by the rest of her too.

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Melanie Christiance is a liar, a scab and a betrayer of women. Her lies are partially to blame for all of the misclassification, bullying, battering, stealing, assaulting, terminations and abuse that dancers must endure at Seville. I have no idea how many other testimonies Melanie has taken part in or will take part in, but I have a suspicion that mine is not the only one.

The Seville Series: Kevin Arrowood

Kevin Arrowood is the man pictured below:

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He put on a lot of weight since this picture was taken, and looks much bigger in person. The woman next to him is his baby mama, Huong Nguyen.

Kevin is the Minneapolis regional manager of RCI, but their lawyer barely knows him and kept calling him "Kevin Arrowhead" at arbitration. I never spoke with him while I worked at Seville, but he knew who I was. The company knew who I was long before they got rid of me. Because of google, most strip clubs figure out who I am within a very short period of time.

Kevin denied everything in arbitration. I never had any personal beef with him, as we never spoke. In arbitration, Kevin stated that he comes to Seville regularly to check things out. Most dancers do not talk to Kevin, and when he was around, he would only do a brief walk-through before heading somewhere out of sight. It wasn't like he was regularly available for anyone to approach.

At arbitration, Kevin stated that his email address is available at Seville for the dancers to contact about problems. I vaguely remember it posted in the dressing room somewhere. I urge future dancers to contact Kevin immediately with any problems you are having. The “floor hosts” will be as evasive as possible and lie when necessary, to keep their jobs and prevent dancers from winning lawsuits. You must put it in writing and give all of your problems to Kevin Arrowood. He is an evil scumbag too, but it will increase your chances of getting justice or at the very least, a settlement.

If you can't find Kevin's contact information at Seville, his home address is available on google.

The Seville Series: Rayner Perez

I barely knew Rayner Perez.

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He came to Seville as a floor host, several months before I was hired. I never tipped him very well. He was usually upstairs, where I rarely went. Whether he was on the show floor or champagne lounge, he didn't make much of an effort to help me with tasks I needed management help for. That probably correlated with the paltry amount of my money that I gave to him whenever I needed to track him down and have him sign my permission slip to leave work. I never gave him hugs, as I saw several other dancers do. I never bullshitted with him, as I saw several other dancers do. The slightly bug-eyed, muppet-faced Rayner was unremarkable and average in most ways. He possessed a certain degree of slut-shaming misogyny, which was evident from the way he referred to female patrons as “skanks,” and his displays of disgust toward women customers who he deemed unrefined. Rayner had a suave, Gomez Addams aura to him, accentuated by the copious amounts of cologne that he wore to work and at my arbitration. I knew Rayner would be testifying at my arbitration before ever seeing him or being informed that he would be there, simply by smelling his cologne permeating throughout the air in the arbitration association's lobby.

Rayner was the manager who informed me that I was fired in early September 2016. Rayner was the manager who informed another woman she was terminated, after she turned down the sexual advances of Jeremy Chase.

Because I rarely encountered him, I never talked to Rayner about problems I was having at work. I've included him in a few of the other Seville posts already. It doesn't surprise me that a company would send in Rayner to testify as a “manager” witness at my arbitration. He was able to deny knowing about my sexual harassment and misclassification, and in all likelihood, he did not know the details. There were five other managers and a regional manager. Rayner is a low-level worker who wouldn't know about that kind of thing. He is a strategic tool for a company to use in legal matters.

Predictably, Rayner denied everything at arbitration. The amount of sweating, trembling, nervous ticks and fidgets that came out of him during my arbitration was very entertaining to watch. Usually in these situations, the least reliable witnesses go first to testify. Rayner went first, and I doubt his testimony had anything to do with Seville winning.

What I learned from the Seville loss, is that it is necessary to speak to all managers about all problems, and record all conversations. That can be difficult and confusing when there are so many managers, most of whom are evasive. If you can't track them all down to do that, go after the regional manager.

The Seville Series: Can I Get a Witness?

Getting witnesses for one's case against a strip club can be anything but wonderful. While I am forever grateful for my recorders and what they have done over the past few years, things would have been so much easier if I had more reliable witnesses.

Throughout much of my strip club litigation, I have been fortunate enough to have the support of litigious strippers who have sued before me in other states and decades. This article summarizes a few of the more well known stripper rights activities in history. From my litigious stripper predecessors, I have learned that it is possible to win a case against a strip club even if the odds are not in my favor. However, in arbitration with Seville, that wasn't true. I lost in arbitration, and much of it had to do with witnesses. I encountered a few notable tragedies in my failed pursuit of Seville witnesses.

Seville had a dancer who went by Skylar. Skylar and I talked a number of times at work about stripper labor rights. She discussed how she had been talking to a lawyer about the club, and how she had “people on the inside,” who were keeping an eye on things at Seville. She and I discussed the level of control that management exerted over us, and how it would be good to have a union. She and I discussed how management was engaging in surveillance behavior. Skylar didn't know about my litigious past, but she gave me advice about how I needed to be documenting everything that took place at Seville if I ever wanted to take action in the future. I was recording Skylar when she was telling me this, as I recorded most of our conversations. I was so happy to have found her, and refreshed by her enthusiasm. However, Skylar was a heavy drinker and often intoxicated during our conversations. I was terminated from Seville in the Summer of 2016 and by the Summer of 2017 when I contacted Skylar before my arbitration, she claimed that she didn't remember our conversations. She said that she didn't want to be involved, because she didn't think she could contribute anything worthwhile, and that she was finally being treated with respect by the Seville staff. She told me that she needed her job at Seville as something to fall back on if her other jobs fell through. She said that she was only vaguely aware of any labor rights stuff at Seville. This was all very disappointing, but Seville was not the first club I have sued, so it wasn't a complete surprise that a dancer would deny everything and stay scabby. Skylar is friends with some of the Seville staff I have written about on this blog, and in the end, her relationship with that club was more important than taking action. I've experienced a lot of liars, abusers and gas-lighters in my life, who have denied events taking place or conversations happening. With the clear conversations that I recorded between Skylar and I regarding stripper labor rights, it is somewhat comforting to know that I am telling the truth and not just delusional.

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Marina was one of the most beautiful dancers who worked at Seville. She was a vegan Latina, an animal rights advocate, intelligent and unique. She mostly kept to herself. She was a great salesperson and looked wonderful on stage. Any club would be lucky to have her. One day, a dancer named Elicia Marie Binman informed me that Marina had been fired, because she wasn't tipping enough to staff in the champagne lounge. Elicia Marie Binman informed me that they had been bullying Marina for a while before getting rid of her. I spoke with Elicia Marie Binman about stripper labor rights and how fucked up it was that Marina was fired, which Elicia Marie Binman agreed with. Elicia Marie Binman is a coward though, who is socially invested in the cliques of the club and too apathetic to leave her scab comfort. When I asked Elicia Marie Binman to testify at my arbitration about what happened to Marina, she wouldn't do it. She wouldn't put me into contact with Marina. She wouldn't do anything.

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One dancer who I talked to a lot was a woman who I will call Selena. I told her all about my past lawsuits and how I was afraid that Seville wanted me gone. Before Seville, Selena worked at Rick's and had a bad experience there, but she didn't tell me details about it. Selena would have made a wonderful witness in my arbitration. Eventually, Seville got rid of me and I didn't get a chance to talk to her again until after I already lost my arbitration. It was both tragic and wonderful the next time I spoke with her, because she informed me that she also sued Seville for sexual harassment, as well as Rick's, had friends who were witnesses, and that she included me in her testimony about illegal termination. She didn't know how to find me or why I was fired, but testified about it in her case.

Since starting The Seville Series in September, I've been trolled, harassed and received multiple death threats. However, I've also received some really wonderful messages from women reaching out to me about their negative experiences at Seville. For example, I recently referred a woman to a lawyer after she contacted me about how Jeremy Chase took her to the third floor of Seville and sexually assaulted her. Seville and Jeremy Chase are currently under investigation.

The kinds of messages I get from dancers who have also sued Seville (or plan to) are heartening, and even as I lost in arbitration, I am hopeful that Seville will change under pressure. I am often a lone wolf in life's pursuits, but there is strength in numbers. If the current intensity gains momentum against clubs, the entire industry will have to change. I urge future litigious strippers to seek each other out and hold on tight. A recorder can help you win or settle, but if the defendant is stacked with witnesses, no matter how courageous and strong and right you are, the arbitrator may rule in the defendant's favor.

Seville brought in five witnesses to testify against me. My testimony was strong, and before we found out the arbitration ruling, Seville chose to settle the NLRB claims. It was interesting that they settled with the NLRB after seeing my arbitration testimony, instead of risking it. Seville did win in arbitration though, and it was because of their witnesses. The next few posts will discuss and examine those five.

The Seville Series: Meet The Neighbors!

Seville is attached to an Irish pub called O'Donovan's, or O'D's for short. It is across the street from Prince's star at 1st Avenue. Seville and O'D's exist as two residents in a massive duplex.

Dermot Cowley immigrated to the USA from Ireland when he was a young man, worked his way up in the hospitality industry and bought O'D's.

I first became aware of Seville's neighbors when a young stoner named Jake came into Seville and sat at the bar, informing me that his dad owned the pub next door. In addition to owning that pub, Jake's family also owns two other popular restaurants in the Minneapolis metropolitan area. It is likely that the Cowleys are millionaires.

Jake has mutual friends with some of the Seville staff who I loathe. He and I chatted for a while, as he told me that his family keeps a distance from their workplace stripper neighbors because of our lifestyles that they don't always agree with. As a stripper, I found it odd that he was nonchalantly telling me this. However, Jake Cowley was charismatic, physically attractive and heir to the O'Donovan's throne, so I thought to myself, “I've gotta get his cash.”

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While Jake had been inside of Seville in the past, he said he wasn't one to get lap dances until meeting me. Sometimes while visiting me, Jake had to run next door to O'D's, to grab some more cash out of his parents' register, so he could pay for more lap dances. When he did this, I would think to myself, “What a loser.”

Sean Joseph Mc Carthy is a worker at O'D's, and he is close with the Cowley family. He immigrated from Belfast a few years ago and as a Northern Irishman, Mc Carthy has a face that exhibits more of the horsey Prince Charles English traits, rather than the exquisitely bright-eyed Irish angel face of the brunette Cowleys.

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Jake bragged to me about how Mc Carthy had fornicated with various Seville dancers over the past couple of years, due to their attraction to his accent. It certainly couldn't have been his horsey physical appearance. Jake boasted that Mc Carthy has “gotten in trouble” for his womanizing around the O'Donovan's-Seville stomping grounds. When he said this, I felt sad for the women who work at O'D's and surely have to hear about this type of behavior in their workplace. Sean Joseph Mc Carthy is facebook friends with misogynists I have written about during The Seville Series, such as Ben the Seville bartender. Recently, Mc Carthy left the misogynist slur “cunt” on Ben's facebook wall.

Here is a photo of one of the advertising banners that has hung off of O'D's in downtown Minneapolis:

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This type of climate creates a hostile working environment for female servers and wait staff, and I feel nothing but pity for the women who work at O'Donovan's.

The prominent thought that I have about all this is that I sincerely hope their pub gets sued for creating a hostile working environment for their female wait staff.

Around the time that my litigious past came to light, he stopped coming into Seville to visit with me. It made me very sad. He is probably far too normal to ever associate with me in the daylight anyway. Individuals like Jake Cowley are much too comfortable in their roles to ever rebel against the toxicity of the O'Donovan's-Seville duplex.

The Seville Series: Roosevelt Purifoy

Roosevelt Purifoy worked for the RCI corporation before they purchased Seville. When the buy out happened, RCI transferred Roosevelt to Seville. He was a floor host (bouncer/manager/pimp/matchmaker/cashier).

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Roosevelt was kind of nice, but unfortunately he works for a corporation that wants to treat dancers as employees, while still calling them independent contractors, as long as the club isn't called “Rick's.” RCI didn't do a very good job of letting Roosevelt know that Seville is not Rick's, so he had a tendency to tell me to do things such as get up off my favorite sofa that I liked to lounge on, or direct me on which customers he wanted me to talk to.

Roosevelt wasn't on the show floor for more than a handful of times while I was at Seville. He was usually upstairs in the champagne lounge, so we didn't work together very often. Seville is a large facility, and it is easy to not see everyone working there all of the time. Once, while he was on the show floor, he told the dancers that they couldn't talk to customers who were seated at a certain area, unless they had his permission to do so. As a result, a dozen or so strippers were all sitting around at the edge of his special sectioned off area, waiting for him to shepherd them in.

During the few times that I was in the champagne lounge and saw Roosevelt, he would be the person to tell customers how much money to pay for blocks of my time, as he did with the handful of other dancers who I talked to. Maybe Roosevelt forgot that he wasn't at Rick's, or maybe RCI didn't want him to know the difference.

One night during a customer brawl when all of the bouncers had to get involved, I saw Michael Sigmon approach Roosevelt from behind, grab his shoulder and pull him back. Roosevelt said to Michael Sigmon, “Don't touch me!” Michael Sigmon continued to keep contact with Roosevelt despite Roosevelt's request to stop, as though he was more interested in brawling with Roosevelt than handling the customers. There was some tension between the two of them, and if Michael Sigmon gets what he has coming to him some day, I'm rooting for Ro.

Roosevelt and I are both Chicagoans-- he a South-Sider and I a south-suburban-sider with some Ukrainian Village living behind me. One day, Roosevelt told me that he liked that we are both Chicagoans and that he really appreciated the way I came in “on time” every day and hustled so well. I don't know how Roosevelt knew about my timeliness or hustling skills since we so rarely worked together, but he wanted to express his appreciation. Then, he invited me out to lunch to “get to know” one another. He insisted that I take down his number. Ugh. I already had that nightmare!

Leo Mena from Hustler Vegas pestered me about having sushi with him, so much that I had to sue Hustler for it and do an interview with Vice magazine. It's so difficult to find a strip club I can work in without getting bothered by oafs who have significantly more power than me. When Roosevelt asked me to go out to eat with him, I was worried that if I complained about this type of thing at a second club, after Leo Mena from Hustler, it would just make me seem like the boy who cried wolf. I don't want to go out to eat with any of these wolves or be eaten by them, but they are persistent to get my blood.

I passive-aggressively said “sure” to Roosevelt when he told me to call him, then never did. That is what I usually do when creepy coworkers ask me to hang out with them and I want nothing to do with them. Being blunt about that kind of thing can ignite a mob rule, fueled by rejection rage.

In subsequent shifts, the few times that we would run into one another, he would just turn away and give me the cold shoulder. That is a strange thing for a manager to do to their subservient when all previous interactions were professionally cordial. However, I was happy that he didn't keep asking me to hang out with him.

Roosevelt has several children and a broken relationship with their mother. That is not an uncommon thing to encounter when dealing with men who work in the strip club industry. Many men who exist in the strip club industry have shattered romantic lives, because they live in the moonlight like vampires, basking in the everlasting love of youthful lambs, who come and go on a conveyor belt of hiring and firing.

I do my best to support dancers who aren't sheep, and to prevent them from getting torn to shreds by wolves, craving our sweet sweet nectar to drink like red wine in the throat of a thirsty alcoholic, high on submission and bloodlust.

The Seville Series: Michelle Glisson

Michelle Glisson is a dancer at Seville who goes by Lita. Michelle Glisson is in her thirties and a long-time Seville employee. I enjoyed working with her because she spoke clearly and didn't behave like she was in a bad music video.

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One time she told me about how she drove out to a rabbit breeder in Wisconsin, to purchase a "pet" rabbit. I told her how disgusting it is to not go to a shelter to adopt a rabbit, and how breeders do not have the best interests of rabbits in mind when breeding and selling them. I explained to Michelle Glisson how millions of animals die in shelters each year because of pet overpopulation and careless human beings. Michelle Glisson laughed at me when I explained this to her and for the next few months, told other people about our little interaction. She thought that I was “a PETA person” and laughed at me while I ate steamed edamame from the kitchen. People who purchase animals from breeders are selfish narcissists who don't deserve the honor of knowing rabbits. Unfortunately some of the people who Michelle Glisson told about our interaction were managers, who used dancer's dislike of me as a reason to fire me.

One time, I was sexually assaulted by a customer and told her about it. I asked what would happen with the customer. She told me to just walk away from him. I asked her if a bouncer would throw him out. She said no, they don't do that at Seville. She seemed confused that I would even propose such a question. It is depressing when people don't understand why perpetuators of sexual assault should not be welcome.

Across the nation, strip club staff rely on dancers to be scabs, snitches, collaborators and company-women. They utilize this wedge as a way to remove dissenters who stand up for their rights. Sadly, there is stronger unity in most clubs among staff and their dancer friends than among the dancers themselves. Many women collude with gross old men, even if they are violent and/or emotionally abusive misogynists. This phenomenon happened to stripper rights activists in San Francisco during the nineties, and it happens today, almost everywhere.

A common tactic that abusive strip club staff utilizes when gossiping about dancers with other dancers is calling the victim "negative." For example, an emotionally abusive old man strip club staff might say to one dancer about another, "She's too negative." By using the word "negative," the staff worker is describing a woman who stands up for herself, does not tolerate sexual assault and knows her rights as well as the rights of others. Many strip club staff members have sad lives and are emotionally starved man-children, so all this stuff is hard for them to understand and they resort to impulsive behavior.

The Seville Series: William Edmund Reau III

From coast to coast, strip club floor hosts slither about in high end clubs, wearing cheap suits, leaving a goo trail of hair gel and oil as they go. Most people don't know what a strip club floor host is. I didn't know what one was until about six years after I started dancing, because they are usually only employed in large corporate clubs. Floor hosts generally work as a bouncer, manager, seating host and agent of sales. All of these job titles rolled into one person can create a conflict of interest for the dancer's well-being. Since floor hosts usually don't make much of an hourly wage, they must hustle dancers to tip them. One way they accomplish this is by finding customers for dancers who aren't good at sales, and work like pimps or match makers, selling VIP sessions for the dancer. Floor hosts expect dancer tips for this service. Another way floor hosts train dancers to tip them is by threatening not to “take care” of the dancers who don't tip. By “take care,” eel floor hosts mean that they will not do their duties as bouncers to protect dancers, not do their duties as managers to mediate problems a dancer may have, and may otherwise avoid a dancer who needs manager approval to do something like end her shift or go upstairs.

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William Borea is a floor host at Seville. William and I have a shared fondness for literary arts and martial arts. He is an old man who has made attempts to break into professional screenwriting and acting. As a young man, he studied some psychology. He is a wrestler who is known in the Minneapolis fighting world as Billy Blaze, performing at locations like the Eagles Club and Knights of Columbus in Bloomington. He is part of a tag team called Body Beautiful. Despite his lifelong quest for the limelight, William Borea hasn't managed to leave the dim light of Seville, where he has been sliming it up for many years.

Aside from Jason Ewing, Billy was the primary show floor host. There were other ones who mostly worked upstairs or outside, but Billy and Jason were the show floor duo most of the time. Considering Jason as the alternative, Billy didn't have much competition when it came to who the dancers had to befriend to have things go their way. In authority situations when there are multiple positions, there is usually someone who plays the “good cop.” This individual uses psychological manipulation to get their subservient to open up to them and talk about life. This is a way for them to extract information and stay in control of a situation. Billy was very much a “good cop” character at Seville, but all cops are bad.

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When I first started working at Seville, I had a very difficult time getting Billy to help me with things like seating me at a fifteen-minute couch, giving me permission to go upstairs or signing my permission slip to leave. I could tell that he mostly preyed on naive strippers who weren't good hustlers, because that was how he earned his tips. Shortly after I first started working at Seville, I had a concussion and had to leave early a few times because of my post-concussion syndrome. Despite me telling him this, Billy continued to encourage me to stay longer when I said I needed to go. I thought he was a really evil person, but he was a person who I had to get along with in order to have my work shift go smoothly. Some clubs have a set up where there is a podium that one worker stands at and checks out dancers or gives them permission to do a dance. Seville didn't have anything stationary like that, and instead dancers had to track down a floor host to help her out with transactions and tasks. This was difficult to do at times when it was busy and floor hosts were mostly running around to make their own tips. To maximize my profit, I found it helpful to compliment Billy on aesthetic bullshit that he expressed enjoyment about, such as his cowboy boots. Secretly, I thought his cowboy attire was hideous, but I didn't like it when Billy avoided basic manager duties.

Some of the Seville staff thought I needed to work out more often, and openly commented about it. For some reason, Billy felt the need to tell me that if I just jogged a few minutes each day, I would have more energy and my writing would improve.

Due to cosmetic procedures, Billy's face is fairly homely. Whenever I would have to talk to him, I would try to figure out what he had done. It looked like he used some kind of auburn coloring on his eyebrows, goatee and mustache. I suspected he used botox or had a face lift, and I would just think to myself, “What the fuck?”

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Billy was smarter than most of the Seville employees. That's not saying a lot since most of them are really dumb, but Billy was at the top, cognitively speaking. Because of Billy's smarts, he was probably onto me quicker than some other people. He is also friends with some of the staff from other Minnesota clubs I had sued. When he spoke to me about club rules, it was difficult to hear him, because he whisper-spoke. That is-- he talked very quietly, so my audio recorder did not pick up what he was saying. If I asked him a yes or no question, he would nod or shake his head without speaking. If he needed to tell me to do something, he would whisper it very close to my ear. On the night that Michael Sigmon came in to yell at me about my dance prices, he summoned 'ole Billy boy to reiterate it to me. Billy is smarter than Michael, so instead of yelling like Michael was, he whispered the pricing rules. Sometimes, communicating with him reminded me of that episode “Hush” on Buffy the Vampire Slayer, where nobody speaks and instead talks in motions and gestures. He had a very mafiaesque way, and it was all so his employer could continue to exploit, steal from and abuse vulnerable young women who don't know their labor rights, then deny it in arbitration. That probably isn't what Billy saw himself doing decades ago during college or when he first tried to succeed in show business, but that is his life at Seville.

Despite his background in martial arts and wrestling, Billy didn't do a whole lot with regards to throwing out sexual predators who had assaulted me at Seville. One night during baseball season, a group of Canadians came down to see the Blue Jays play. Drunk and rowdy after the game, one of them reached up and smacked my ass on stage. I grabbed him by the shirt, smacked him, screamed in his ear to never do that again, then bit his ear and left little teeth marks, all while I was on stage and my music was playing. I regret not ripping his ear off with my mouth. Some clubs will fire a dancer for doing that kind of thing, while other clubs will throw out the customer for assaulting the dancer. I wasn't sure what Seville would do, but I knew Billy was near by and saw. I approached him after I got off stage to see what his reaction would be. He was slumped on a stool and didn't mention it either way. The drunken Canadian Blue Jay fan was still wandering around for an hour or so in the not-so-gentle men's club.

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Another night, a customer grabbed my ass while he was on a couch and I was moving past him. In response, I grabbed him by the throat and screamed in his ear. In addition to Billy creeping around watching that, Kim Kardashian's ex husband, Chris Humphries was also there. I'm not sure what Humphries was up to, but Billy did nothing to reprimand the customer who had assaulted me. He had no financial reason to make a scene where millionaires were partying. I was happy that Billy didn't interrupt me when I pummeled men, but disgusted in him for not throwing sexual predators out of the club completely. One of the reasons manager Rayner Perez told the arbitrator I was fired was because customers had complained that I am “rude.” In reality, I fought back when I was assaulted and had no help from Scum Billy.

During the end of my employment at Seville, Billy was doing a lot of following me around, spying on me and the conversations I was having with other dancers. Surveillance is something that workplaces do to people who they are threatened by. One dancer who he kept a close eye on when talking to me was a young woman named Tatum Smith. I don't know why he kept an eye on that, but I do know that Tatum Smith has spent time partying at Lake Vermilion with certain other Seville employees in a certain cabin, and I know that Tatum Smith has spent a lot of time rubbing her rear end against Billy while they were in corners or seated at the bar.

I can only use this website as a warning to those dancers who will ever work at Seville or with him in the future. If you have information about William "Billy Blaze" Borea, please email me from the contact tab at the top of this page.

The last time I saw Billy was a couple of shifts before I was fired. I did not tell him that I was leaving like I usually did, and did not tip him like I usually did. He appeared to be upset with me. I smiled at him and said bye. He went out of town after that shift, on his honey moon for the latest of his multiple marriages.

The Seville Series: Dino Perlman and RCI

This is Dino Perlman.

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He is a money swindling con artist who opened and owned Seville from 2004 until 2015. As a con artist, he went from woman to woman, convincing each one that she was an independent contractor, fabricating the truth about labor law, even though he enforced rules that legally classified them as employees. For his own personal and financial gain, he didn't pay them an hourly wage, charged them various fees for working and made them tip his recognized employees so he didn't have to pay them a living wage out of his pockets. Weasle con artist Dino Perlman had signs put up in the dressing room, telling dancers to give their money away to his employees. His recognized employees were a crew of abusive predators, many of who still work at Seville. He sold his business to a corporation called RCI in 2015.

RCI owns the Rick's franchise of strip clubs, which were sued in a class action several years ago for misclassification. Rick's does not always succeed with preventing sexual harassment. For example, Rick's in Minneapolis was recently sued for sexual harassment.

During my arbitration, Minneapolis RCI regional manager Kevin Arrowood admitted that Dino Perlman did not operate Seville in a legally consistent way with regards to misclassifying dancers. Kevin Arrowood made it clear that Dino Perlman enforced rules upon dancers that made them employees. Kevin stated that when RCI took over, they changed the rules enough to classify correctly. It is great that Kevin was able to admit that Dino Perlman was conning women for years, but Kevin was incorrect when claiming that RCI stopped all that.

Hopefully Seville continues to get sued until they change their business practices. A great way to keep the conversation going is to do press and publicity, so that dancers have plenty of resources and exposure to the truth. Here is a recent exclusive I did with the Minneapolis Star Tribune: Please Click

The Seville Series: Britta Linehan

This woman with dreadlocks is named Britta Linehan.

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Britta worked as a cocktail server at Seville during my employment. Her facebook occupation states that she is a “gypsy at the universe.” I didn't find any online evidence of Romani heritage, but perhaps I missed it.

Britta was nice to me at Seville during a time when a lot of the staff members were not. For this reason, I contacted her before my arbitration. I wanted to see if she would be willing to testify about some common knowledge and policies at Seville. To my unpleasant surprise, she didn't want to. Britta wrote things to me such as,

“clearly I don't know your personal experience, and if anything harmful happened to you that is 100% wrong. In the end though, maybe you should find a different profession IMPO as opposed to working in clubs and suing them," and, “It's clear what your agenda is," and, “find a new career.”

Britta Linehan's opinion on labor rights is one that a lot of people mistakenly believe. People like Britta believe that if a worker does not like her workplace or industry, leaving it would be best. This logic tells women that if they are being oppressed, they should give up and go away, rather than stand up for themselves. Britta's weekend, minimum wage and title VII protections all exist because labor rights activists of past generations fought and died for her rights, instead of just packing up and leaving in hopes of a better situation some place else. I doubt Britta gets too deep with any of that. After all, she posted a petition on her facebook that was circulating around Minneapolis, opposing the raise on minimum wages for people in the service industry.

Women and abused employees don't need to go some place else because someone is hurting them. It's understandable that they do sometimes, but it is also great when they choose to make their abusers and oppressors uncomfortable. Fighting back is a good thing, but people like Britta are just really dumb and complicit, so they don't get it.

I danced for almost nine years before ever suing a strip club. In total, I've only sued about 10% of strip clubs I have worked. I could have sued more, but it is exhausting and emotionally draining to do.

Many times over the past couple of years, I have been accused of being an opportunistic con artist by dumb people with emotional ties to abusers, who don't understand how social change happens. My agenda is to stand my ground and hold my oppressors accountable for their actions. In a way, I am not the right kind of victim that people normally sympathize with. Because I sometimes go to great lengths to stand up for myself instead of cowering, people tend to think that I am sophisticated enough to control a workplace situation and stop bad things from happening to me. That is not always true. Bad things have happened to me, and I often cannot stop them from happening. But, that doesn't mean I am going to be terrorized away from an entire industry and let my abusers win. People like Britta tend to sympathize more with victims who cower and quit. Dreadlocked Britta is a clown and a walking example of the hypocrisy of ShitLib cities like Minneapolis.

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The Seville Series: Two Dweeb DJs

This orange-toned douche is Steven Jaye:

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Steven Jaye was the head DJ at Seville during my employment. When I first met him, he asked me to stay in the DJ booth with him as he queued up a computer screen with a long list of rules for the stage rotation. He described the details of each rule on the list. During litigation, Seville never admitted that this list exists in digital form or that the rules are real. With arbitration, there was no subpoena.

Among Seville and Steven Jaye's rules were that song length, number of songs and type of music were all selected by him. Dancers had to remove their tops by the end of the first song. If the side stage was open, dancers had to migrate over to it for a second set after their front stage set was complete. Dancers were not to leave the side stage or the front stage until their replacement arrived. All of these rules were real while I worked there, which legally classified me as an employee, but Seville didn't admit to any of that.

Clubs that don't want to get sued will instruct their staff to state sentences such as, "It's up to you" or "It's your choice to go up." There were no such choices or clarifications at Seville.

Steven Jaye informed me that the “minimum” tip out to the DJs was $20, while it was $50 to be taken off stage completely. I grilled him on the minimum tip out and got him to admit that I didn't actually have to give him $20 per night. It bothered me that he would even propose such a minimum. I usually gave him $5 per night or less, although he didn't even deserve that. There was once a DJ in Colorado who I hated so much that I spitefully tipped him with packets of Quaker oatmeal. I really regret not doing that to Steven Jaye. Sometimes younger dancers would complain to me that Steven Jaye was harassing them for more than $20 per night if they made a lot of money, and it saddened me so. I tried to encourage as many dancers as I could to not tip him, but many still did out of fear and intimidation. Sometimes Steven Jaye would get drunk in the DJ booth and ramble slurred nonsense on the microphone late into the night and wee hours of the morning.

I hated going on stage at Seville and only did so because it was mandatory. There is no pole to do tricks on, and the customer base was often unpleasant. Sometimes when I got to the side stage, I would just rest and wait for time to pass. If Steven Jaye saw me doing this, he would come up to me and twirl his hand, in a gesture that was signaling me to dance. Managers regularly walked around to enforce these rules as well.

Chris Black is this cross-eyed dufus who DJs at Seville during the slow nights:

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His industry name is “DJ Beasey," and he lends his musical services to no-name rappers who celebrate date rape and misogyny in their albums. I can't find any history of him DJing at other strip clubs before Seville, but perhaps it is nowhere on the internet. It wouldn't surprise me if Seville was his first strip club, because he was sweet and normal at first. Chris Black was nice in the beginning, and I would go so far as to tip him $20 out of kindness, even as it went against my beliefs. Chris Black also took song suggestions, unlike Steven Jaye. However, Chris Black is a beta male who hung out with manipulative, misogynist alpha male DJs, who instructed him to be mean to strippers.

As I was about to head out the door after one of my last shifts had ended, a manager ordered me to go back to the DJ booth, because Chris Black wanted to speak with me. He had radioed to a manager that I needed to come back to the DJ booth. When I got inside the DJ booth, Chris Black was angrily yelling at me for only tipping him $9 on a night when he thought I made more money than usual. He was flailing his hands around in his booth, telling me that the minimum was $20. He lectured me that I needed to give him more money if I did well. I think he expected me to give him more of my money at that very moment, but instead I was like, “oh,” and didn't give him any more. He then stated that if I didn't give him more money, he wouldn't “look out for” me. I asked him if he was threatening me. He said no, it wasn't a threat, just that if I didn't give him more money, he wouldn't “look out for” me. I told him that it sounded like a threat. He said it was “just some food for thought,” while I was recording it all. In the strip club world, when a DJ does not "look out for" a dancer, it means that he will do everything in his power to make her uncomfortable, unpopular and ultimately unemployed. It is a tactic utilized by DJs who lack the wiles and charm needed to enchant a stripper into tipping him voluntarily.

During a subsequent shift, which was my last shift, I told DJ Steven Jaye about the Chris Black conversation. I suggested to Steven Jaye that if the DJs want to have more money, they should organize a labor union and force their employers to pay them a better living wage. This is a suggestion that I have made to DJs for many years, long before I ever sued a club. Steven Jaye informed me that he is in a DJ group called PANDA, and that unionizing has been discussed among DJs in the past. Steven Jaye informed me that while he would join a DJ union if it was created, it's not important enough for him to dedicate his life to. It didn't surprise me that Steven Jaye wouldn't dedicate his life to DJ union activism. It is easier for DJs to just bully young women into giving them their money, rather than stand up to the older men who own strip clubs.

Both Steven Jaye and Chris Black are tremendous scumbags, yet neither of them were the most vile DJs at Seville. There was a third, but that's for another time.

The Seville Series: Michael Sigmon

This bald man is named Michael Sigmon.

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Michael Sigmon is the door man at Seville. He also has a title of manager, though at corporate clubs like Seville, many men have some kind of management title. It is easier to evade legal responsibility when half a dozen or so men are all titled "manager" and only one needs to attend an arbitration without the threat of subpoenas.

Whenever other dancers would tip Michael, he would stare at me very intensely, to try to intimidate me into tipping him. He told me before that he is in the pool of other managers who get tips, but that there are “many mouths to feed” with regards to how much I put into the manager tip pool. He would list the managers working, to describe to me how the manager tips were split up. On nights that he walked me to my car, I took recordings of him telling me that I should tip staff members, such as floor hosts. Michael worked at Seville before Dino Perlman sold it to RCI, and possesses a legally inconsistent idea of how dancers should be treated. RCI didn't do a very good job of educating Michael about stripper labor rights or reprogramming him from the illegal ways that Mr. Perlman ran his business. That's probably not an accident.

Shortly before my termination, Michael came into the club, yelling at me because leaving customers had complained that I was charging $20 a dance on Sundays, while Sunday dances were advertised as $10. Michael was also upset with me because customers had complained that I was charging more money during other parts of the week, when dances were only supposed to be $20. He was so angry with me that he and Erika Grinols had to spend time gossiping about it after the confrontation. Grinols is always up for a good gossip session about the dancers, whose very existence, bodies and labor give her a job and sustenance to live her life.

If dancers are truly independent contractors at Seville, they would be able to charge whatever they want for floor dances, without being harassed by people like Michael. If dancers are employees, they must charge whatever the club wants them to charge. This is a major determining factor in the economic realities test. Seville fails at this factor, but one reason why I lost on this one is because Seville brought in three dancers who suck staff dick, to lie during their testimonies.

Sometimes clubs that have been sued will still advertise a price for dances, but not enforce the rule when a customer complains about a dancer charging more. These clubs do not enforce their advertised price, because they do not wish to be sued again. Michael was not supposed to come inside to yell at me, but he did because he is an ignorant, misogynist heap of shit that Seville does not regulate.

When I brought up Michael's behavior in arbitration, the Seville people asked me what repercussions happened after Michael yelled at me. They asked me if I really got in trouble for what I was doing. This question was their way to weasel out of liability, by claiming that I was not punished. They even smirked when asking me this question. Aside from being yelled at by Michael, there were no immediate repercussions. Of course, being yelled at by one's manager itself is a punishment. When it happened, I was thirty years old and had been in the industry for over a decade, yet I was still intimidated by Michael yelling at me. He is abnormally tall, with a very deep voice. I can only imagine how much scarier he would be to a twenty year old who does not have experience dealing with volatile male coworkers.

By the end of my employment at Seville, I no longer trusted the valets with my vehicle, because I knew that most people at Seville wanted me gone and I didn't know if the valets did too. For this reason, I started parking on the nearby ramp. Seville's policy was to have a bouncer walk dancers to their cars on the ramp. Michael usually did this, but by the end of my employment, he grew to dislike me so much that he wouldn't walk me. I always got a mass murderer vibe from him, like he could flip out at any moment and go postal. Michael has a lot of toxic male anger bubbling beneath his thin veil of genteel etiquette. He would often express discontent with me in particular, so I didn't mind that he stopped walking me to my car and radioed for another manager to do it.

If you have information about Michael Sigmon's mental health history, please contact me, anonymously or not, through the contact tab at the top of this page.

The Seville Series: Brandi Michele

Brandi Michele went by the stage name “Hunter” at Seville.

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She came up to me at work a couple of times, to angrily inform me that her customers had complained that I was not smiling enough. Brandi Michele would then tell me that I need to smile more. It makes me sad that Brandi Michele did not say something to her customers such as,

“So what that she is not smiling. Women are entitled to a range of feelings and expressions. They don't need to sit like Stepford statues until you are ready to give them money. You are a misogynist. Don't tell women to smile.”

That is what I would have said to a man complaining about a woman not smiling. Instead, Brandi Michele chose to harass me about my naturally pouty face, thus siding with some entitled man in a strip club. I feel really sorry for Brandi Michele's daughter, who has probably spent her childhood being subject to misogynist sentiments, like that women need to smile more to make misogynist men feel happy.

At work, Brandi Michele used to brag about how she perused escorting websites like Craigslist or Backpage, looking for advertisements that strippers she knew put up. When she found ones she recognized, she would print them off, to out escorts who were closeted, by telling everyone she could about the advertisements. That is a very mean and dangerous thing to do to an escort, but Brandi Michele regularly expressed violent fantasies about her hatred for escorts.

Brandi Michele's signature stage move at Seville was squatting on a glass beer bottle, then walking around the stage with it wedged between her buttocks. This move always grossed me out, and made me think it caused Seville to attract the wrong kind of crowd. It was interesting to me the way that Brandi Michele behaved in this crude, crass way, yet held such vehement hatred of escorts. I don't think Brandi Michele realizes that to outsiders, both strippers and escorts are perceived as deplorable sluts unworthy of rights or dignity, and that by unifying we would all be stronger. That would make me smile gleefully.

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At arbitration, manager Rayner Perez stated that part of the reason I was fired was that dancers had complained about me. He did not say which dancers had complained about me, but I will always wonder if Brandi Michele was one of them.

The Seville Series: Kumara Becker

This is Kumara Becker. She is a bartender and stripper at Seville. Kumara Becker's stage name is Kennedy, but she is not like the historical Kennedy family in appearance or thought.

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Kumara has worked at Seville for many years. Soon after meeting new dancers, she is likely to inform them that she has worked at Seville for many years. While most Seville dancers are very young, sometimes strip clubs have a few dancers who have stayed for years. Dancers like Kumara tend to use their longevity as a point of pride, a reason to brag, gloat and dominate other women. While traditional jobs might give a worker a pension, union or healthcare, dancing at a club for a long time doesn't. While traveling strippers have a rich mosaic of life experiences and memories of new places across vast geographic areas, strippers who mostly stay in the same club to brag about their longevity do not have those things. Some strippers stay in the same club during their entire careers, like minerals on a faucet-- hardened, scaly and resistant to change. These individuals are usually snitches and should be avoided at all costs.

I was a subject of Kumara Becker's snitching. One night, I asked her what management would do if I wore ballerina slippers instead of high heels. Kumara angrily stated that we were not at the ballet, so I should wear heels because she thought they looked better. I asked her if management would say anything if I didn't wear heels. She told me that they would tell me to put on some heels.

A few nights later, I wore wedges with ballerina ribbons. Kumara Becker pointed them out to dufus manager Jason Ewing and stated,

“See, I told you!”

Jason stated, “She thinks she's fighting the man.”

I don't avoid wearing heels in order to fight the man. I do it because I don't want to have damaged joints, body aches and herniated discs. Jason didn't say anything to me about my heels that night, but he said to Kumara Becker, “Just say 'I don't recall'.”

I went back and forth between the heels and wedges for a couple of weeks before I was fired, while management discussed my footwear amongst themselves.

There is a longer post about footwear on the site at this link: Footwear

I've always thought that the best place for a stiletto heel is in a man's jugular vein. When I think about Jason and Kumara's concern with my footwear at Seville and the sadness I feel that I didn't win all of my claims against that club, I am reminded of one of my favorite quotes by John Fitzgerald Kennedy:

"Those who make peaceful revolution impossible will make violent revolution inevitable."