Mouse's Ear Memoirs: Brittany Wood

Most strip clubs don't allow dancers on the show floor to speak with customers who are sitting at the stage. It is usually considered a form of theft from the dancer on stage, who would otherwise be receiving money from those customers. When I am not on stage, I usually refrain from speaking with customers who are sitting at the stage. It is the understood ethos in most places around the country. Mouse's Ear was abnormal, because dancers often sat at the stage with customers to chat, while the stage dancer was working. I didn't know Mouse's Ear was like that when I first started there.

Brittany Wood danced as Raven at Mouse's Ear. On my first day working, she began chatting with customers who were sitting at my stage. It upset me. I asked Buddy why she was doing that. He did not have a problem with it. Raven didn't seem to like me very much after that, but it's not as though her job was ever in jeopardy because I spoke with Buddy about her behavior. She has worked at Mouse's Ear for longer than most dancers there, I believe around seven or eight years by the time I arrived in 2019. For some reason, the Brownings protected her at Mouse's Ear like a crown jewel, and always tried to make sure she was well tended to in ways they did not do for other dancers. If any of my readers know why the Brownings treated Raven so differently, please contact me. I would like to know what kind of scabby behavior she engaged in to get such specialized treatment. What was Raven's role during the previous lawsuit against Mouse's Ear?

Brittany Wood does not have any children or issues holding her back from holding clubs accountable, other than her own financially comfortable life.

Brittany Wood was usually the only Mouse's Ear dancer who went under the knife to get ridiculous looking fake tits and ass. She is also covered in tattoos, probably had some work done on her face, and generally looks unattractive in that mainstream plastic surgeon addict way. Many dancers in strip clubs will respect a coworker or treat them with esteem if such modifications are done, as though the modified individual is in the upper echelon of professionalism. I always thought Raven's modifications were unsightly. She has written extensively on her social media platforms about self loathe, anxiety, and an unhealthy obsession with her physical appearance.

Raven was the only dancer whose sales tallies regularly kept up with mine. She is articulate and measured when speaking, closer to my age, somewhat intelligent, and she was always nice to customers who were willing to respectfully spend money on her. With her refined hustle and maintenance of her physical self, I can understand why she had good sales numbers. It is unfortunate that she was resentful of my good sales, and regularly glared at me when I was doing well. We never said hi to each other or spoke at work after my first day. One time we waved at each other from our vehicle windows, near Kroger when we drove past each other. If I was being harassed or abused at work, she would quietly chuckle. Sometimes she'd have a customer who she was speaking with tip everyone else on stage except me, and then snidely glance over at me. She avoided any direct conflict, which I greatly appreciated.

Raven used to work at Mouse's Ear full time when I was there, so we spent many hours per week in the same building, never conversing. I don't think she works there much now, since it was bought by Deja Vu. Perhaps the mysterious protection that the Brownings provided for her is gone with Deja Vu in charge, and she had to move onto greener pastures.

Wood expresses typical SJW libertarian identity politic opinions on social media, but nothing criticizing capitalism, encouraging union membership, or improving working conditions. I know that after I was fired, she discussed me in the dressing room, criticizing me for not wearing stupid heels during my last shift.

Alex Cave was always very fond of Raven for her compliance with illegal theft known as β€œtip out.”